Guest Post: Gardening is like Writing by Paranormal Romance Author C.D. Hersh...

The warm days this week enabled us to take a stroll through the yard, another put-our-butts-in-the-writing chair avoidance tactic. We found a slew of winter weeds scattered throughout the landscape. Some tiny-leafed, prostrate thing has taken over a portion of the easement making it the greenest it has been in years. Buckhorn plantain spills out between the path steppingstones. Flat rosettes of chickweed carpet the stone gully in the backyard, and henbit, with its scalloped leaves and purple stems, juts out of the grass—or at least what passes for grass in the lawn. 

We’re letting the unidentified weed taking over the easement and the lawn. It’s green, low growing, and doesn’t look like it would need much mowing. But after an afternoon of surfing weed identification web sites (another avoidance tactic), we’ve come to the conclusion that we might have to dig out this patch of weeds and eradicate it every other spot we find. You see, if we’ve identified it correctly, we’re harboring shot weed, also known as hairy bittercress. Oh, it looks innocent enough, but when it sets seeds the slightest touch will send hundreds of seeds shooting out in a three-foot radius across the lawn into flowerbeds and pathways looking spots to hide and root. 

Fighting weeds in the garden is a full-time task. It starts in early spring with digging out winter weeds like plantain, chickweed, and henbit from the paths and flower beds. By the time we get those eradicated the dandelions rear their yellow heads. After that it’s pigweed and purslane and nutsedge and Canadian thistles and Jimson weed and ground ivy and goose grass. Spring and summer progress marked by an army of weeds marching through the garden. We hoe and pull and mulch and spray, and they just keep coming. The only thing that keeps them under control is persistent daily effort—and maybe a hard, hard freeze. 

Like the cycle of weeds in the garden, writers face different challenges along every stage of our careers. As soon as we think we have a handle on our craft and profession something new springs up and surprises us. The beginning writer’s weeds might be learning the basics of the craft or finding that story idea or dealing with writer’s block. For some it’s getting to the end of the book, or figuring out what to do with the sagging middle. For the more skilled, unpublished writers the weeds that need pulling could be social networking, getting an agent, or getting published. Whatever the weeds in your writer yard there’s one universal truth—they will always be there. Our job is to figure the best way to control them. 

We’re not a beginning writers. We know how to write. That has been reinforced with a number of contest placements. We have a good grasp of the skills and have been published. We know our stories and the characters. We even have books waiting in the wings to be written. But we still have writing weeds to pull—BIG ones.

We haven’t finished our series—yet. We want to write in several genres, which presents branding problem and sometimes an identity crisis. While we have some social networking and internet connections there isn’t a large following wanting our books—one of the biggest weeds for a lot of writers. Currently, we spend more time blogging than writing the books.

Gertrude Jekyll, one of the most important British landscape designers and writers, once said, “There is no spot of ground, however arid, bare or ugly, that cannot be tamed into such a state as may give an impression of beauty and delight. It cannot always be done easily; many things worth doing are not done easily; but there is no place under natural conditions that cannot be graced with an adornment of suitable vegetation.” 

Gertrude’s advice applies not only to the garden, and all those weedy patches, but to writing as well. The road to success isn’t easy, but we can accomplish it. We can transform those bare, ugly pages into something overflowing with suitable vegetation (the best words and story we can make). When we finally reach that goal it’s worth the work. So, pull those weeds out of your writing garden and create something beautiful! We’re going to try this year to get rid of our biggest weed and finish our next book. What are the writing weeds that are stopping you from creating your masterpiece? Do you have a plan to pull them out? While you figure out what weeds to attack here’s an excerpt from the first book in our series.

Blurb for—The Promised One

In the wrong hands, the Turning Stone ring is a powerful weapon for evil. So, when homicide detective Alexi Jordan discovers her secret society mentor has been murdered and his magic ring stolen, she is forced to use her shape-shifting powers to catch the killer. By doing so, she risks the two most important things in her life—her badge and the man she loves. Rhys Temple always knew his fiery cop partner and would-be-girlfriend, Alexi Jordan, had a few secrets. He considers that part of her charm. But when she changes into a man, he doesn’t find that as charming. He’ll keep her secret to keep her safe, but he’s not certain he can keep up a relationship—professional or personal. Danny Shaw needs cash for the elaborate wedding his fiancée has planned, so he goes on a mugging spree. But when he kills a member of the secret society of Turning Stones, and steals a magic ring that gives him the power to shape shift, Shaw gets more than he bargained for. 

EXCERPT

The woman stared at him, blood seeping from the corner of her mouth. “Return the ring, or you’ll be sorry.”

With a short laugh he stood. “Big words for someone bleeding to death.” After dropping the ring into his pocket, he gathered the scattered contents of her purse, and started to leave.

“Wait.” The words sounded thick and slurred . . . two octaves deeper . . . with a Scottish lilt.

Shaw frowned and spun back toward her. The pounding in his chest increased. On the ground, where the woman had fallen, lay a man.

He wore the same slinky blue dress she had—the seams ripped, the dress top collapsed over hard chest muscles, instead of smoothed over soft, rounded curves. The hem skimmed across a pair of hairy, thick thighs. Muscled male thighs. Spiked heels hung at an odd angle, toes jutting through the shoe straps. The same shoes she’d been wearing.

The alley tipped. Shaw leaned against the dumpster to steady himself. He shook his head to clear the vision, then slowly moved his gaze over the body.

A pair of steel-blue eyes stared out of a chiseled face edged with a trim salt-and-pepper beard. Shaw whirled around scanning the alley.

Where was the woman? And who the hell was this guy?

Terrified, Shaw fled.

The dying man called out, “You’re cursed. Forever.”

Amazon buy links for all the books of the series 

The Promised One (The Turning Stone Chronicles Book 1) Blood Brothers (The Turning Stone Chronicles Book 2) Son of the Moonless Night (The Turning Stone Chronicles Book 3) The Mercenary and the Shifters (The Turning Stone Chronicles Book 4)  

Putting words and stories on paper is second nature to the husband and wife co-authors whose pen name is C.D. Hersh. They’ve written separately since they were teenagers and discovered their unique, collaborative abilities in the mid-90s while co-authoring a number of dramas, six which have been produced in Ohio, where they live. Their interactive Christmas production had five seasonal runs in their hometown and has been sold in Virginia, California, and Ohio. As high school sweethearts, Catherine and Donald believe in true love and happily ever after. Which is why they write it! 

The first four books of their paranormal romance series entitled The Turning Stone Chronicles Series page are available on Amazon. Their standalone novella, Can’t Stop The Music, is in the Soul Mate Tree collection with twelve other authors from various genres. 

When they aren’t collaborating on a book, they enjoy reading; singing; theatre and drama; traveling; remodeling houses (Donald has remodeled something in every home they’ve owned); and antiquing. Catherine, who loves gardening, has recently drawn Donald into her world as a day laborer. Catherine is an award-winning gardener — you can see some of her garden on their website. They are looking forward to many years of co-authoring and book sales, and a lifetime of happily-ever-after endings on the page and in real life.

You can see excerpts of their books, connect with, and follow C.D. Hersh at:

Website

Facebook

Amazon Author Page

Twitter

Word Witches and Magic Snacks by YA Paranormal Author Leigh Goff...

Writing can be a deliciously creative endeavor. We all know that food fuels the mind, so why not indulge in a few tasty treats to keep your energy levels high and your inspiration flowing? Whether you're tackling a daunting deadline or embarking on a brainstorming session, here are a few fun snacks that are sure to satisfy your cravings and fuel your writing process.

Let's start with the magical combo of chocolate and coffee. The velvety goodness of dark chocolate pairs perfectly with a steaming cup of coffee, creating a harmonious blend of flavors that can give you that extra boost of creativity. The caffeine provides a jolt of energy, while the sweetness of chocolate adds a touch of decadence to your writing ritual. Take a break from your keyboard, savor a moment of bliss with this duo, and let your imagination run wild.

If you're looking for something a little more spellbinding, tap into your inner child with a plate of colorful, bite-sized snacks. Think mini sandwiches, fruit skewers, or a bowl of mixed nuts and popcorn (see fun recipe below!). Not only are these treats fun to eat, but they also offer a variety of flavors and textures to keep your taste buds entertained.

By incorporating fun snacks into your writing routine, you can indulge your taste buds and invigorate your mind. Whether you opt for the enchanting chocolate and coffee combo or explore a whimsical array of bite-sized treats, these snacks will add an extra sprinkle of enjoyment to your writing sessions. So, grab a snack, sit back, and let the magic happen as you embark on your next writing adventure.

Sweet & Salty Marshmallow Popcorn

8 cups popped popcorn, we use air popped popcorn

1½ cups pretzels

½ cup unsalted butter

1 cup packed light brown sugar

2 tbsp. light corn syrup

12 big marshmallows

½ tsp. vanilla

1 tsp. sea salt

1 cup M&M's 

Lay popcorn and pretzels on a large baking sheet that has been lined with a Silpat baking mat. Parchment paper will work, too. Set aside. 

In a medium saucepan, melt butter over medium heat. Add brown sugar and corn syrup. Cook until melted and combined. Add marshmallows and stir until completely melted. Remove from heat and stir in vanilla and salt. 

Evenly pour the marshmallow caramel mixture over the popcorn and pretzels. Gently stir until the popcorn and pretzels are well coated. It will be sticky! Stir in the M&M's. Taste and season with additional salt, if desired. Store in an airtight container for up to one week. The popcorn will stay sticky and soft! 

Note – if you need the recipe to be gluten-free, make sure you use gluten-free pretzels. You can also use peanut M&M's or stir in peanuts! 

Leigh Goff writes young adult fiction. She is a graduate from the University of Maryland and a member of the Society of Children’s Book Writers & Illustrators (SCBWI).

 She has three published novels, DISENCHANTED, BEWITCHING HANNAH, and KOUSH HOLLOW. She is also a member of SCBWI and a graduate from the University of Maryland.

Learn more about Leigh Goff on her website and blog. Stay connected on Facebook, Instagram, Pinterest, and Goodreads.

Photo and recipe from Two Pease & Their Pod Marshmallow Popcorn Recipe

Guest Post: Picking a Genre is No Easy Task by Author Anne Montgomery...

The moment I mention the impending arrival of a new book, prospective readers ask, “What’s the genre?”

“Well, um…it’s hard to say,” I respond, staring at my shoes, wondering why such a simple question has no equally simple answer.

I have a tendency to write stories without giving thought to where they might fit in literary culture.  So far, my titles have been variously listed as soft-thriller, contemporary fiction, romantic suspense, historical fiction, women’s fiction, and young adult fiction. So you can see why labeling my work tends to make my head spin.

Still, identifying a genre for your novel is important.

A Light in the Desert is a suspense novel.

“We use genre as a way to identify the category of a book. Where it should be sold in a store. Or who its competition will be,” long-time literary agent Steve Laub wrote in his blog article Does Genre Matter? “The best way to describe it is to say that publishers and booksellers sell books out of boxes. The boxes are labeled “Romance” “Thriller” “Mystery” etc. Before we resist that exercise I would claim that we consumers buy books out of those boxes. It is quite possible that the boxes were created by us (the consumers).”

Wild Horses on the Salt has been called women’s fiction and suspense with a touch of romance.

There is some dispute about which English book should be called the first novel. Some believe Miguel de Cervantes’ Don Quixote of La Mancha, published in 1605, deserves the honor. Others opine that Daniel Defoe’s 1719 Robinson Crusoe should get the nod. Either way, neither author had to think too hard about genre.

“In 1719, when “Robinson Crusoe” appeared, many people considered “the novel,” in itself, to be a genre,” said Joshua Rothman in his The New Yorker article titled A Better Way to Think About The Genre Debate. “The novel was a new thing—a long, fictitious, drama-filled work of prose—and its competitors were other prose genres: histories, biographies, political tracts, sermons, testimonies about travel to far-off lands. What set the novel apart from those other prose genres was its ostentatious fictitiousness.”

 Clearly, modern-day authors can find labeling their work infinitely more complicated than those early novelists.  Look at today’s overwhelming number of possible fiction genres. The Book Industry Study Group’s list of fiction topics includes approximately 140 genres, all of which can be combined in what seems like a never-ending number of possibilities.

The Scent of Rain was marketed as young-adult fiction.

I’ll admit, sometimes I’m jealous of my romance-writer friends, their covers bursting with muscled torsos and over-flowing bodices that leave not a hint of confusion about what type of story resides inside. Still, as difficult as pinning down that perfect genre might be, there’s no way around it, especially if you want to contact agents, or publishers, or editors, or reviewers, because those folks are pretty specific about the types of book they’re interested in. If you want to be considered an amateur in the publishing world, go ahead and send a query about your sci-fi, apocalyptic, young adult romance to someone who has made clear their genre of choice is Regency historical fiction. (And you were wondering why you hadn’t heard back.)

While some authors may be tempted to leave the genre decision to others, remember you wrote the book. You know the story and the characters better than anyone. Ultimately, you should choose. An article on the blog Rock Your Writing called How To Figure Out Your Book’s Genre suggests you consider, “who is the mostly likely to seek out this particular type of book, buy this type of book, and enjoy this type of book.”

While the decision on genre is yours, it’s the reader we authors need to consider, because, as Laub pointed out, if our “baby” is in the wrong box, maybe those readers won’t find it.

The Castle is contemporary women’s fiction/suspense

A reporter seeks information on an eleventh century magician and discovers that black market sales of antiquities can lead to murder.

In 1939, archaeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate beadwork, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine-hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black-market sales of antiquities can lead to murder.

This is my latest release. It’s Native American Literature and U.S. Historical Fiction. Picking a genre definitely is not easy.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Finding My Superpower by Author Carol Browne...

The day I discovered my superpower is a memory undimmed by time. It was a life-changing event and I doubt I will ever forget it. Some of the details are sketchy, though, like how old I was. I know I was in my first year of primary school so I must have been about seven.

Photo by Miguel Bruna on Unsplash

I can still see the classroom, the table where I was sitting when it happened, and the chalk-smeared blackboard, but apart from the teacher being female, I don’t recall much about her. I regret that because I have never been able to thank this woman for making me aware of a talent I didn’t know I had. She set me on a path I am still following almost sixty years later.

It all started when I wrote a poem. Where did I get the idea from to do that? It’s a mystery, and it seems strange to me now that I even knew what a poem was, or that it should have meter and rhyme. I also wrote it in verses of four lines each. The subject was a crocus, something I must have seen and wondered at, but again I’ve no idea why this little plant should have inspired me to put pen to paper the way I did, nor why I chose to present the poem to my teacher. Having composed this no doubt unsophisticated piece of doggerel, that was that as far as I was concerned. I didn’t expect what was to follow.

I was at my table, scribbling away with one of those thick blue biros they used to hand out, when the teacher announced that Carol Browne had written a wonderful poem and it was going on the wall so everyone could see it. In fact, she advised my classmates to look at it if they wanted to know how to write a poem. She came over to me and congratulated me on my work and I was astonished, delighted and taken aback by this praise and recognition. As a shy and lonely child with physical defects only time would cure, I found myself suddenly elevated to a status I could not have aspired to in my wildest dreams. I never received validation for anything before but now I was worthy because of a talent not everyone else possessed. I could manipulate words. I could bend them to my will. I could do this because I was a wordsmith. This was my gift, my specialty. This was my superpower.

From that moment on I was a writer.

Here's a brief intro to my latest fantasy released through dilliebooks. I hope you like it.

Elgiva, a young elf banished from Elvendom, must seek shelter among the Saxons as her only hope of surviving the coming winter.

Godwin, a Briton enslaved by the Saxons, is a man ignorant of his own inheritance and the secret of power he possesses.

A mysterious enemy, who will stop at nothing to wield absolute power over Elvendom, is about to make his move.

When destiny throws Elgiva and Godwin together, they embark upon the quest for the legendary Lorestone, the only thing that can save Elvendom from the evil that threatens to destroy it.

There is help to be found along the way from a petulant pony and a timid elf boy but, as the strength of their adversary grows, can Elgiva’s friends help her to find the Lorestone before it falls into the wrong hands?

Born in Stafford in the UK, Carol Browne was raised in Crewe, Cheshire, which she thinks of as her home town. Interested in reading and writing at an early age, Carol pursued her passions at Nottingham University and was awarded an honours degree in English Language and Literature. Now living and working in the Cambridgeshire countryside, Carol usually writes fiction but has also taken a plunge into non-fiction with Being Krystyna. This story of a Holocaust survivor has been well received.

Stay connected with Carol on her website and blog, Facebook, and Twitter.