Guest Post: Picking a Genre is No Easy Task by Author Anne Montgomery...

The moment I mention the impending arrival of a new book, prospective readers ask, “What’s the genre?”

“Well, um…it’s hard to say,” I respond, staring at my shoes, wondering why such a simple question has no equally simple answer.

I have a tendency to write stories without giving thought to where they might fit in literary culture.  So far, my titles have been variously listed as soft-thriller, contemporary fiction, romantic suspense, historical fiction, women’s fiction, and young adult fiction. So you can see why labeling my work tends to make my head spin.

Still, identifying a genre for your novel is important.

A Light in the Desert is a suspense novel.

“We use genre as a way to identify the category of a book. Where it should be sold in a store. Or who its competition will be,” long-time literary agent Steve Laub wrote in his blog article Does Genre Matter? “The best way to describe it is to say that publishers and booksellers sell books out of boxes. The boxes are labeled “Romance” “Thriller” “Mystery” etc. Before we resist that exercise I would claim that we consumers buy books out of those boxes. It is quite possible that the boxes were created by us (the consumers).”

Wild Horses on the Salt has been called women’s fiction and suspense with a touch of romance.

There is some dispute about which English book should be called the first novel. Some believe Miguel de Cervantes’ Don Quixote of La Mancha, published in 1605, deserves the honor. Others opine that Daniel Defoe’s 1719 Robinson Crusoe should get the nod. Either way, neither author had to think too hard about genre.

“In 1719, when “Robinson Crusoe” appeared, many people considered “the novel,” in itself, to be a genre,” said Joshua Rothman in his The New Yorker article titled A Better Way to Think About The Genre Debate. “The novel was a new thing—a long, fictitious, drama-filled work of prose—and its competitors were other prose genres: histories, biographies, political tracts, sermons, testimonies about travel to far-off lands. What set the novel apart from those other prose genres was its ostentatious fictitiousness.”

 Clearly, modern-day authors can find labeling their work infinitely more complicated than those early novelists.  Look at today’s overwhelming number of possible fiction genres. The Book Industry Study Group’s list of fiction topics includes approximately 140 genres, all of which can be combined in what seems like a never-ending number of possibilities.

The Scent of Rain was marketed as young-adult fiction.

I’ll admit, sometimes I’m jealous of my romance-writer friends, their covers bursting with muscled torsos and over-flowing bodices that leave not a hint of confusion about what type of story resides inside. Still, as difficult as pinning down that perfect genre might be, there’s no way around it, especially if you want to contact agents, or publishers, or editors, or reviewers, because those folks are pretty specific about the types of book they’re interested in. If you want to be considered an amateur in the publishing world, go ahead and send a query about your sci-fi, apocalyptic, young adult romance to someone who has made clear their genre of choice is Regency historical fiction. (And you were wondering why you hadn’t heard back.)

While some authors may be tempted to leave the genre decision to others, remember you wrote the book. You know the story and the characters better than anyone. Ultimately, you should choose. An article on the blog Rock Your Writing called How To Figure Out Your Book’s Genre suggests you consider, “who is the mostly likely to seek out this particular type of book, buy this type of book, and enjoy this type of book.”

While the decision on genre is yours, it’s the reader we authors need to consider, because, as Laub pointed out, if our “baby” is in the wrong box, maybe those readers won’t find it.

The Castle is contemporary women’s fiction/suspense

A reporter seeks information on an eleventh century magician and discovers that black market sales of antiquities can lead to murder.

In 1939, archaeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate beadwork, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine-hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black-market sales of antiquities can lead to murder.

This is my latest release. It’s Native American Literature and U.S. Historical Fiction. Picking a genre definitely is not easy.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Guest Post: Some Teens Should Try a Gap Year by Women's Fiction Author Anne Montgomery...

Young people need to have an idea of what they want to do in the future before going to college.

It's almost time for the graduation season, and, in that regard, I want to mention an idea with which I wholeheartedly agree. And yet, just a few years ago I would have been completely against the idea.

In Abby Fawk’s USA Today Article “College can wait, but finding your life purpose can’t,” Fawk opines that American teens facing that jump to a postsecondary education are often unsure what they want their future to look like, so heading straight to college is a mistake.

As a former high school teacher of 20 years, I know Fawk is correct. I have faced hundreds of children across my desk, and when I asked what they thought their lives might look like in ten years, I was—more often than not— faced with blank stares. I would then go into my, What do you want to be when you grow up? spiel. I’d ask: What do you like to do? What are you good at? What will someone pay you to do? And again, I often received no reply.

Then the children graduated, most without any idea regarding what might make them happy in their business lives. We teachers have hammered into them that the next stop must be college. (Note that when I say college, I’m referring to any form of post-high school education.  Wanting to be a carpenter, an electrician, or an airplane mechanic are equally fine choices as wanting to be a doctor or a neurophysicist.)

What isn’t fine is having no idea what you want to study and then plowing ahead to your college of choice.

That college education is expensive, so before you go, have a plan. 

“College is the single biggest investment we can make in a young person’s life,” Hawk said. “Four years at a flagship state school can now cost $100,000 and private college can run three to four times that figure. Yet the vast majority of students arrive unprepared to make the most of the experience.”

Fawk believes that it’s time for students to revisit the idea of a gap year. As I said earlier, I did my best to dissuade kids who wanted to take a year off before getting additional education, because statistics showed that once young people start earning money, they are less likely to give up that cash flow and return to school.

But Fawk explained that a gap year, if done right, is not about losing forward momentum and can be a rewarding launch pad to a bright future.

“It’s to gather experiences and insights that inform everything that comes next,” she said.

Fawk is the founder and CEO of Global Citizen Year, a program devoted to giving young people the chance to immerse themselves in other cultures, to stretch their comfort zones, and to forge relationships with people who are different than they are. If this sounds a bit like the Peace Corps, it is. The idea is to take the year following high school graduation and expand one’s horizons. To learn more about yourself by living alongside others in a completely different environment.

A gap year can include volunteer activities such as working with Habitat for Humanity.

But the GCY project is not the only way students can accomplish these goals. A stint in the military, the Peace Corps, or volunteering can also help young people find out who they are and what they want in life.

Studies show that American teens are growing up more slowly than the generations that proceeded them. Young people struggle with basic skills like time management, problem-solving, and navigating relationships. Why then do we shoehorn them into making decisions that will impact the rest of their lives when many are clearly not ready?

The idea is to give new high school graduates a little breathing room before they make that leap. A well-thought-out gap year just might be the answer.

Please allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Book Reviews: The Literary Equivalent of Crack by Women's Fiction Author Anne Montgomery...

Once your book has had a 5-Star Review you’ll need that rush again.  But remember, some reviewers won’t be so benevolent, so be prepared to suffer the book review blues. Then, be strong, and send your baby out into the world again.

Authors long for reviews. We go to great lengths to find folks willing to pen blurbs about our babies. Because, of course, reviews sell books.

So…we contact newspapers and magazines and TV stations, radio outlets, book bloggers, and those with the keys to the podcasts. Then there are the book clubs and bookstores – the few that remain in brick-and-mortar form. Sometimes, authors beg friends and family members for reviews, but that seems a bit on the suspect side. I mean, generally, don’t loved ones want to say nice things, if only to be polite and avoid familial strife? I have so far refrained from this particular approach, which does not mean I might not give it a try in the future. I just haven’t…yet. 

A well-written query letter, to all the proper specifications, might glean a review about two to three percent of the time. Really. I sent out 60 requests one weekend and got two “No thanks” replies for my efforts. The other fifty-eight beautifully composed queries went unanswered.

Still, on that rare occasion when someone agrees to review your book…oh, the joy! And then the wait. Weeks, maybe months, go by before the results come in. And that first 5-Star Review? You read it over and over, lingering over the verbiage like it’s a letter from a lover:

“I say this is a must read! The book is utterly captivating and mature.”

“The story was tightly plotted and suspenseful.”

“Tragic, disturbing, captivating, but utterly fantastic!”

But as with most love affairs, eventually the words become too familiar, stale, and you long for something different. So the quest begins again. You need that high, and the begging – OK, go ahead and call it marketing, if that makes you feel better – begins anew.

Then, of course, authors must also stomach the not-so-charitable comments. There’s the dreaded DNF: Did Not Finish, meaning your book was so bad the reviewer simply couldn’t get to your well-crafted, quite brilliant ending.

“The writing style wasn’t for me. It was too descriptive for my taste.”

“This work aims high but ultimately falls short.”

“The brief, cliff-hanger chapters might appeal to reluctant readers.”

Ouch! And yet, we keep…on…looking. Hoping that someone will read our words and tell us what they think.

Perhaps there is something inherently wrong with authors that we are willing to put ourselves in a position of such utter vulnerability. I’ve heard budding writers say they fear rejection and I want to laugh. Rejection is part of the job description. One must embrace it: “That which does not kill us makes us stronger,” and all that.

A way to survive the emotional ups and downs of the book review process is to consider the subjectivity of the practice, because these missives are but personal opinions. Don’t believe me? Well, every one of the comments listed above, including the dreaded DNF, came from actual reviews of my most recent novel, The Scent of Rain. Go figure. How can one person adore a book and another find it repugnant? Beats me. But I do know we authors must never refuse to offer our books up on the sacrificial altar of Reviews. Yes, there will be low points, but the highs, I promise you, will blot out those blues.

So stand straight. Be bold. Believe in your prose and send your baby out into the world. Really, there’s no other way.

Please allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Guest Post: November is National Caregivers' Month by Author Anne Montgomery...

Forty-eight million Americans serve as caregivers for friends and family members in need.

I have always considered myself strong and quite capable of taking care of myself, but life has a way of swatting our perceptions away. I came to this conclusion when I was stricken with Covid-19—despite being fully vaccinated— a broken leg that rendered me unable to walk for two months, and an eye infection that affected my vision. (No, I never do anything halfway.)

I admit that I rarely thought of caregivers before, but as I stared up from my bed—broken and sick— at the face of my masked sweetie pie, I was struck by my utter helplessness. In the beginning, I was too sick to consider how much work I’d become. Nor did it register that I wasn’t the only person in Ryan’s care. His prime caretaking responsibility is his 85-year-old mom who is losing her eyesight and suffers from dementia.  

So, Ry was now faced with two of us. When the Covid started to ease, I jokingly called Ryan Ethan Frome, the title character in the 1911 novel by American author Edith Wharton. For those who are unfamiliar with the story, poor Ethan, who has a disabled shrew of a wife, falls in love with a pretty young woman. Then, with no way out, they decide to commit suicide together, however the plan goes awry. They both live, but the woman becomes disabled, so Ethan now has two sickly people to care for.

Ryan, as my caregiver, had to do everything when I was sick and broken.

According to the AARP, “Every day, some 48 million Americans help parents, spouses and other loved ones with medical care, meals, bathing, dressing, chores and much more. They do it out of love, not for pay.”

When I was well enough to notice, I realized the enormous pressure Ryan faced. He had to feed his mother, monitor her medications, and tend to grocery shopping and medical appointments, as well as weather her constant confusion and memory issues. Then he had to come to my house and care for all my needs, as well.  

As you can imagine, caregivers are suffering. “Family caregivers now encompass more than one in five Americans,” says the research series Caregiving in the US.  “The study also reveals that family caregivers are in worse health compared to five years ago.” Caregivers spend a whopping 13 days each month “on tasks such as shopping, food preparation, housekeeping, laundry, transportation, and giving medication.”

These constant demands force caregivers to push their own lives and needs aside, often causing burnout. Between 40 to 70% of caregivers are said to suffer from depression, with those attending to patients with cognitive decline being the most likely to be affected. Also, chronic illnesses like diabetes, arthritis, high blood pressure, heart disease, and immune system disorders can worsen.

Ryan stepped up and became a caregiver when I needed him. I will always be grateful.

What can caregivers do? First, ask for help, if you’re feeling overwhelmed. There are agencies all over the country that offer services to caregivers that can help lighten the load, so check the Internet and your insurance company to see what’s available. Do the best you can but forgive yourself when days don’t go as planned. And carve out some time out for yourself.

Every Tuesday, Ryan goes to lunch with his long-time buddies. The gathering is his one time of respite during the week when most of his efforts revolve around me and his mom. He always seems more energized when he returns from these get-togethers and happily tells me what’s new with the boys.

November is National Family Caregivers Month, so I’d like to give a big shoutout to those who shoulder the responsibilities for others. Caregiving is an exhausting, often overlooked effort. So, thank you to all the folks who support those of us in need.

And, of course, I’m especially grateful for Ryan who jumped in with both feet when my health failed, never getting angry, and doing his best to cheer me up when I was down.

Thank you, Ry. I love you!

Here is a look at one of my thrillers for your reading pleasure.

Ancient ruins, haunted memories, and a ruthless criminal combine with a touch of mystic presence in this taut mystery about a crime we all must address. Maggie, a National Park Ranger of Native American descent, is back at The Castle—an ancient pueblo carved into a limestone cliff in Arizona’s Verde Valley.

Maggie, who suffers from depression, has been through several traumas: the gang rape she suffered while in the Coast Guard, the sudden death of her ten-year-old son, and a suicide attempt. 

One evening, she chases a young Native American boy through the park and gasps as he climbs the face of The Castle cliff and disappears into the pueblo. When searchers find no child, Maggie’s friends believe she’s suffering from depression-induced hallucinations. 

Maggie has several men in her life. The baker, newcomer Jim Casey, who always greets her with a warm smile and pink boxes filled with sweet delicacies. Brett Collins, a scuba diver who is doing scientific studies in Montezuma Well, a dangerous cylindrical depression that houses strange creatures found nowhere else on Earth. Dave, an amiable waiter with whom she’s had a one-night stand, and her new boss Glen. 

One of these men is a serial rapist and Maggie is his next target. In a thrilling and terrifying denouement, Maggie faces her rapist and conquers her worst fears once and for all. 

Available at Amazon and all major vendors.

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Guest Post: Women Must Be Bold by Author Anne Montgomery...

When I was a high school teacher, I learned many young ladies were uncomfortable talking about their accomplishments. Part of my job was to encourage my students to think about the future. When it came to resume writing, I’d say, “What are you good at? What have you accomplished that you’re proud of?”

Often, I’d be met with blank stares, which was understandable because they were just kids. Still, I’d press on. “When you choose a career, it’s important to think about what you like to do, what you’re good at, and what someone will pay you to do.”

When the conversation stalled, I pointed out some of my own accomplishments. “When I was your age, I discovered I had a good speaking and singing voice, so I performed in a lot of plays. And I really enjoyed sports. I was an ice dancer and I loved swimming and skiing and watching ice hockey. Eventually, these things put me on a path to becoming a TV sportscaster.”

“Your bragging, Ms. Montgomery,” some child would blurt out. Others around the room—mostly girls—would nod their heads.

“So, you don’t think it’s right to talk about your accomplishments?”

“No!” a chorus of them would answer.

In the business world, the inability to discuss our successes is holding women back.

Then, I’d point at a boy who played sports. “How’d your game go? Which would lead the young man on a tangent about how well he’d preformed on the gridiron. Strangely, when I’d ask female athletes the same question, the response was rarely positive. “I could have done better,” one would say. “I missed an important free throw,” another might add.

Bragging, it turns out, is a habitat peopled mostly by males. A young man can walk into a job interview and wax on about his accomplishments, while women of all age groups seem to feel they must be demure, that identifying their skills and successes is unladylike and casts them in a bad light.

A perfect example is the way many women handle compliments. When someone says something nice about our appearance or a job well done, lots of us stare at the floor, or point out something we did wrong, or give credit to someone else in order to counter the accolade.  And this is a problem.

Just smile and say “Thank you!” when you receive a compliment.

I think denying our successes holds us back, especially in the business world where self-confidence and life experience say a lot about who we are and what we might be capable of in the future. Take participating in sports, for example. Business owners are delighted to hire those who’ve been on teams. They know athletes understand punctuality, working with others toward a common goal, following rules, and getting back up when you’ve been knocked down. (Note here that championships and won-loss records are not relevant. Just participating is all that’s important.) And let’s not forget those other “team players”: young people who’ve participated in choir, marching band, theater, debate, and other activities that are equally favored by many human resources departments. But those doing the hiring will not know about a person’s past if the applicant is unwilling to share the information, so it’s important that people speak up. That’s not bragging. It’s smart!

Today, I don’t hesitate to share stories about my past and the things I’ve experienced and exceeded at. And I’ve learned to accept compliments with a smile and hearty, “Thank you!” It was a bit uncomfortable at first, but now it feels great.

Don’t believe me, ladies? Just give it a try.

Please allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

To Boldly Go by Author Anne Montgomery...

 

Fifty-six years ago, the original Star Trek TV series was launched. The show survived just three seasons, still that does nothing to diminish the impact the program had. If you don’t believe me, take a look at your cellphone. Then, glance at Captain James T. Kirk as he flips open his communicator. Looks familiar, doesn’t it?

 Captain Kirk and the crew of the Enterprise traveled the galaxy in the hope of doing good.

Kirk and his crew were tasked with exploring the universe. The opening voiceover still gives me chills. Space: the final frontier; These are the voyages of the Starship Enterprise. Its five-year mission: to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no man has gone before!

While I was just a kid at the time the series came out, I was enthralled by the situations the Enterprise crew endured. I know what you’re thinking. The show today looks cheesy, with sometimes silly special effects and actors routinely chewing scenery. But back in the mid-1960s it was mesmerizing. And often the stories had deep sociological meaning.

While there are several episodes dealing with planetary pandemics, I will skip those since I, at least, need some rest from that particular subject. Instead, the one that sticks in my head is “Let That Be Your Last Battlefield.” The story centers around the planet Cheron whose people have been fighting a civil war for 50,000 years. Kirk and his crew attempt to negotiate a peace with two ambassadors who are so embittered by their hatred toward one another that no one on the Enterprise can get through to them.

Commander Spock and Captain Kirk struggled with the prejudice of the people on Cheron who'd been entangled in a race war for 50,000 years.

The ambassadors insist that their people are too different to get along. Finally, Spock—Kirk’s Vulcan second-in-command—points out, “The obvious visual evidence, Commissioner, is that he is of the same breed as yourself.” What Spock is alluding to is the fact that all the people of Cheron are black on one side and white on the other.

I was 14 when this episode aired in 1969. Race riots had plagued the US for several years, including those in Newark, New Jersey, not far from where I lived. The TV images of the anger and destruction were frightening. Though I will admit here that I was raised in a predominately white suburb, I camped every summer with girls of all kinds—black, white, brown. We spent our days together, slept in the same tents every night, and never gave it a second thought. So, the violence I watched on the news was confusing.

Kirk has no idea why the ambassadors of Cheron hate one another. Finally, in exasperation, he looks at them and says, “You’re black on one side and white on the other.”

One man puffs up his chest. “I am black on the right side.”

When I heard that line, something clicked in my brain. I now understood the idiocy of racism. And—don’t laugh—I truly believed that soon everyone would realize the stupidity of demeaning others because of what they looked like. In my misguided innocence, I thought that very soon racism would be relegated to the past and that we would all get along. Cue "Kumbaya".

Of course, that didn’t happen. Today, at 65, I wonder what went wrong? How did so many people of my generation not get the message?

I’d like to think we can still repair the damage we’ve done to one another, but maybe we can’t. Perhaps, if we’re not careful, we’ll end up like the people of Cheron, who annihilated themselves and destroyed their planet because of their hate. My 14-year-old self found it hard to feel sorry for them. After all, they were the instrument of their own destruction.

We might be too.

Here’s hoping we come to our senses in time.

Allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Guest Post: What it take to be an Author in Today's Publishing World by Author Anne Montgomery...

Want to be an Author?

You’ve gotta have grit! 

Would F. Scott Fitzgerald be successful in today’s publishing world?

Being an author is a tough job. OK, maybe not as daunting as the career track those Deadliest Catch folks are on – admittedly, I found myself reaching for the Dramamine more than once watching those crabbing boats being tossed like toys – or Mike Rowe’s gig when he does things like testing shark suits or mucking out sewers on Dirty Jobs.

Still, converting thoughts to printed words in order to tell a coherent story that’s of interest to readers, and then convincing others your efforts are important and well-written enough to publish and promote, well, there are all kinds of adversities mixed up in that endeavor.

I’ve had a number of difficult jobs over the years. I used to be a maid, on my hands and knees cleaning other people’s bathrooms. I was a baseball umpire for 25 years where I was, without question, the most disliked person on the field pretty much every time I stepped on the diamond. As a sportscaster, I was on live television about 2000 times, where, when you make a mistake, there are myriad people who delight in pointing out your errors.

Despite my labors with jobs that didn’t do much toward promoting positive self-esteem, I was definitely not prepared for the rigors of being an author. I’ve written six books: two rest in a drawer, two are published, one will be shortly, and one is a work in progress. Since I began writing 25 years ago, I have been rejected by agents, publishers, editors, and reviewers too many times to count. I’m pretty sure my no-thanks numbers have edged up over the one thousand mark. In fact, I’ve been snubbed so often that I sometimes find myself strangely delighted when I receive a rejection letter that’s, well, kind. A positive comment contained therein might tempt me to tears. (I know I’m not the only one.)

Today, aspiring authors face a different reality than those of the past. The advent of the personal computer and the Internet have paved the way for a huge release of creativity, that, depending on your point of view, is either fabulous or horrifying. On the positive end, anyone can write, self-publish, and post their book on Amazon. It’s estimated that somewhere between 600,000 and one million books are published in the U.S. alone each year, probably half of which are self-published. The other side of the equation is that without the gatekeepers – agents, editors, publishers – finding your gem in that the massive pile of prose is problematic: the proverbial needle in a haystack.

Feeling down yet? All I can say is don’t give into despair. Here’s what I’ve learned from the authors I’ve become acquainted with, my fellow travelers on this detour-filled journey. We are a tough bunch. I have not yet met an author who’s said, “I quit! I can’t take it anymore!” Perhaps that’s why I found a bit of unintended humor at the expense of one of America’s most famous writers: F. Scott Fitzgerald. I recently began watching Z: The Beginning of Everything, a biographical Amazon series based on the life of Zelda Fitzgerald, the writer’s wife and muse. In one of the early scenes, F. Scott opens a letter from a publisher. His book is rejected. And F. Scott, who up until that point was dashing and strong and optimistic, disintegrates into a despondent pile of mush and goes completely off the rails, drunk, depressed, needing Zelda to give him strength. While I know my reaction was not what the show’s writers intended, I couldn’t help it. I felt like laughing. I wanted to yell at F. Scott to pick himself up. Get over it! Move on! Try again!

And then, I wondered whether the famed writer of The Great Gatsby would have survived the complexities of today’s publishing world. And what about Hemingway? Twain? Faulkner? Steinbeck? How might these giants of the industry have navigated the choppy waters we face today?

I think they would have struggled, just like we do.

So, my fellow authors, take heart! Be strong. Be proud. The fact that you’ve even finished writing a book puts you in rarified air. You will survive, if you don’t take rejection personally – Yes, I know it’s hard – and if you have a sense of humor.

Allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.