Showing posts with label A Light in the Desert. Show all posts
Showing posts with label A Light in the Desert. Show all posts

Sunday, 14 July 2024

Guest Post: Picking a Genre is No Easy Task by Author Anne Montgomery...

The moment I mention the impending arrival of a new book, prospective readers ask, “What’s the genre?”

“Well, um…it’s hard to say,” I respond, staring at my shoes, wondering why such a simple question has no equally simple answer.

I have a tendency to write stories without giving thought to where they might fit in literary culture.  So far, my titles have been variously listed as soft-thriller, contemporary fiction, romantic suspense, historical fiction, women’s fiction, and young adult fiction. So you can see why labeling my work tends to make my head spin.

Still, identifying a genre for your novel is important.


A Light in the Desert is a suspense novel.

“We use genre as a way to identify the category of a book. Where it should be sold in a store. Or who its competition will be,” long-time literary agent Steve Laub wrote in his blog article Does Genre Matter? “The best way to describe it is to say that publishers and booksellers sell books out of boxes. The boxes are labeled “Romance” “Thriller” “Mystery” etc. Before we resist that exercise I would claim that we consumers buy books out of those boxes. It is quite possible that the boxes were created by us (the consumers).”



Wild Horses on the Salt has been called women’s fiction and suspense with a touch of romance.

There is some dispute about which English book should be called the first novel. Some believe Miguel de Cervantes’ Don Quixote of La Mancha, published in 1605, deserves the honor. Others opine that Daniel Defoe’s 1719 Robinson Crusoe should get the nod. Either way, neither author had to think too hard about genre.

“In 1719, when “Robinson Crusoe” appeared, many people considered “the novel,” in itself, to be a genre,” said Joshua Rothman in his The New Yorker article titled A Better Way to Think About The Genre Debate. “The novel was a new thing—a long, fictitious, drama-filled work of prose—and its competitors were other prose genres: histories, biographies, political tracts, sermons, testimonies about travel to far-off lands. What set the novel apart from those other prose genres was its ostentatious fictitiousness.”

 Clearly, modern-day authors can find labeling their work infinitely more complicated than those early novelists.  Look at today’s overwhelming number of possible fiction genres. The Book Industry Study Group’s list of fiction topics includes approximately 140 genres, all of which can be combined in what seems like a never-ending number of possibilities.


The Scent of Rain was marketed as young-adult fiction.

I’ll admit, sometimes I’m jealous of my romance-writer friends, their covers bursting with muscled torsos and over-flowing bodices that leave not a hint of confusion about what type of story resides inside. Still, as difficult as pinning down that perfect genre might be, there’s no way around it, especially if you want to contact agents, or publishers, or editors, or reviewers, because those folks are pretty specific about the types of book they’re interested in. If you want to be considered an amateur in the publishing world, go ahead and send a query about your sci-fi, apocalyptic, young adult romance to someone who has made clear their genre of choice is Regency historical fiction. (And you were wondering why you hadn’t heard back.)

While some authors may be tempted to leave the genre decision to others, remember you wrote the book. You know the story and the characters better than anyone. Ultimately, you should choose. An article on the blog Rock Your Writing called How To Figure Out Your Book’s Genre suggests you consider, “who is the mostly likely to seek out this particular type of book, buy this type of book, and enjoy this type of book.”

While the decision on genre is yours, it’s the reader we authors need to consider, because, as Laub pointed out, if our “baby” is in the wrong box, maybe those readers won’t find it.


The Castle is contemporary women’s fiction/suspense

A reporter seeks information on an eleventh century magician and discovers that black market sales of antiquities can lead to murder.

In 1939, archaeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate beadwork, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine-hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black-market sales of antiquities can lead to murder.

This is my latest release. It’s Native American Literature and U.S. Historical Fiction. Picking a genre definitely is not easy.


The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link


Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Sunday, 6 February 2022

Drowning In Plastic by Author Anne Montgomery...


I worry about the planet. I have since I was a child. Maybe it was the camping and fishing trips my parents took us on where the adage leave nothing behind was drilled into our young heads. Or maybe it was those anti-littering ads that ran on TV and billboards,  or the lessons I learned as a Girl Scout about the importance of protecting nature.

Whatever sparked my concern was enough to make me pause one day as I overlooked a small stream near my home. A rusted bicycle stuck up from the water as an eddy of garbage swirled around one wheel. The vision so disturbed my 12-year-old self, that I waded into the river and extracted the bike and some of the garbage. When the stream again flowed free and clear, I rejoiced.

As an adult, I have worked hard to do my part, so much so that family members sometimes derisively call me Eco Annie when I complain about who forgot the reusable cloth shopping bags or who put the wrong stuff in the recycle bin. I ball up plastic bags to return to grocery stores. I compost, feeding the insects that make beautiful soil for my vegetable garden. I purchase products that are biodegradable and, when I scuba dive, I retrieve garbage that has found its way into the sea.

I mention this because of an article I just read, one that has me damned depressed. “More than a million tons a year of America’s plastic trash isn’t ending up where it should. The equivalent of as many as 1,300 plastic grocery bags per person is landing in places such as oceans and roadways,” said the Associate Press article, “Study says much trash is going astray.” While the U.S. was not previously ranked in the world’s top-ten worst offenders for plastic waste in oceans, the study says we now sit as high as third on that list.

One of the problems is the fact that many countries no longer take our garbage. According to the study, U.S. exports of plastic waste have declined nearly 70%. And those countries that still accept our recyclable plastic, are not doing their jobs. Fifty-one percent of the plastic waste we ship abroad is routinely mismanaged.

Consider, as just one example of our plastic trash problem, that The Great Pacific Garbage Patch is estimated to cover an area twice the size of Texas, a swirling storm of mostly floating plastic, one of five such patches in our oceans.

Industries are trying. Modernized recycling operations are being funded and there’s a push for new packaging standards. But, let’s face it, if we, the people, don’t do what we can our world may one day resemble a vast garbage dump.

There are those who say other countries must also bear the burden of cleaning up the Earth, and while they’re correct let’s remember that the U.S. is the number one generator of waste in the world, with one study estimating that each of us produces 1,600 pounds of garbage annually.

Jena Jambeck, an environmental engineering professor at the University of Georgia, had the last word in the AP article. “The best thing you can do environmentally is to produce no waste at all.”

While that’s probably an impossible goal, I believe we can, at least, do better.

Don't you?

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Sunday, 18 July 2021

Guest Post: Nothing is More Valuable than Memories by Author Anne Montgomery...


A while back, I returned home to find the front door ajar. My first concern was that my dogs had gotten out, but when I went inside, they both stared at me and wagged their tails. Did I spy a wee sense of guilt on their doggy faces? 

Though I saw nothing out of place in the living room, something felt wrong. Then, I approached my bedroom and a chill ran down my spine. The mess inside showed I’d been burglarized. I briefly wondered if the perpetrator was still in the house, but since the dogs were sitting placidly, I realized I was alone.

“Really?” I squinted at my two cattle-dog pups. “You couldn’t bark or something?”

They responded by vigorously wagging their tails.

I turned back to the mess in my room. The drawers had been rifled. The decorative boxes on my dresser had been dumped onto the bed, what remained of my jewelry scattered in glittery bits on the bedspread and floor. It was easy to see that the good stuff was gone. That the really good stuff was in a safe gave me a moment of relief. But then I thought of my ring, the emerald and diamond piece my sweetie pie presented to me on a beautiful day in the desert, an adornment he purchased because of my love of emeralds and because he wanted us to be together forever.

The box where I kept the ring was empty.

It wasn’t until later that I noticed my office had been searched as well, but nothing appeared to be missing.

Sadly, I was wrong. “I can’t find my log.”

"I’m sure it’s here somewhere,” Ryan said.

But we searched and the book was gone. I was heartbroken.

What had disappeared was my dive log, a planner, of sorts, dedicated to those of us who scuba dive. The idea is that when you’re a new diver, reflecting on what happened underwater is a good way to become a better diver. Generally, we document the conditions: water and air temperature, dive site, date, and dive profile. Then we write down what we saw – beautiful jewel colored fishes on a sunlit reef, magnificent sharks, charming dolphins, sea turtles and star fish and eels and nudibranchs.


But we also revisit what went wrong on a dive: losing track of your partner, not paying attention to air consumption, getting caught in a current, misplacing the dive boat. The log contains stamps, as well, verifying special dives on wrecks and others where we descended below 100 feet.

So, the log is a reflection on our dive memories and underwater performance. The idea is to document your first one hundred dives, a milestone I was approaching.

The other day, Ryan and I were walking our dogs. I don’t recall how the question came up, but it hung between us. “Which do you miss more, your emerald ring or your dive log?” he asked.

I didn’t answer right away, but I couldn’t lie. “My dive log,” I said wistfully.

“I knew you’d say that.” Then he smiled.

I’m so glad he understood.

Now, I have a new dive log that Ryan bought me, one with lots of clean, white pages. I guess I’ll just have to start over, so I've got a lot of diving to do.

Yes! 

Here's a little from my suspense novel based on a true incident. It's not romance but I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, and Twitter.

Sunday, 18 April 2021

Guest Post: Finding a Home by Anne Montgomery...

I've invited fellow author and animal lover, Anne Montgomery to share a story about one of her recent rescues. Since spring stirs the instinctive pot for animals and birds to begin breeding, the local animal shelters become filled to the brim with kittens and puppies. Anne's story is a great reminder to get your pets neutered or spayed as soon as possible or adopt don't shop, the next time you're deciding to expand your four-legged family. Take it away, Anne... 

"Ms. Montgomery, there's a cat outside."

Two of my students stared at me.

"Go and get it," I said, immediately rethinking that idea after they'd left the room. I hoped the cat wasn't mean or scared and left the kids with bloody gashes. I tried to stop them, but they were gone.

A short time later they returned, sans cat. "We couldn't catch it," they said in unison.

"OK." I was relieved, but just momentarily.

"It's so hot out there and the cat is panting."

I looked at the sweet girl who tried to rescue the animal. "Is it hurt?"

"I don't know."

Crap! I've had more kitties than I can count over the years. Strays and cats who'd wound up in shelters. But I didn't want another one. I still had three furry felines - down from seven - most of whom died after long, pleasant lives. And a big cattle dog, as well.

The problem is, I'm getting older, and whenever I'm faced with a new pet I start doing the math. If said animal lives 15 years, how old will I be? What if I die? Who will take care of them.  While I know my sweetie pie is as devoted to our four-legged friends as I am, what if we both died?

"So, you think the cat might be injured?" I said again.

She shrugged.

"Let's go." I led my students outside and found a sleek, black, kitty with big gold eyes. The creature meowed and ran right to me. I picked him up and prepared to be speared with curved, pointy claws, but he just laid his head on my shoulder, clearly no feral beast.

As it was lunchtime, I put the young cat in my office and, as I ate, he jumped into my chair, curled into a ball and slept at my side. "Well, aren't you a sweet boy." I patted his head and he purred loudly. I squinted as he closed his eyes. "But I don't want another cat." He ignored me.

Later, the girl who found him appeared and said she wanted to take the cat home. "My mom said it would be OK."

I looked at the kitty and he stared back at me. "Great!" I said, not feeling great at all. "Let's find a box."

After we placed the cat in the container, I waved and watched her walk away. I admit, I was a bit sad. Still, I'd done the right thing.

"We found a cat at school today."

My sweetie pie peered at me over his glasses, then glanced around the room.

"You'll be proud of me. I found him a nice home."

He raised both eyebrows, and didn't have to say, How unlike you to not bring it home.

Later, I thought about the cat and decided to call the girl's home to make sure he was settling in. Her father answered the phone.

"I don't want a cat!" he said, an edge to his voice. "I don't like cats. I don't want it in my house. If she keeps it, we'll put it in a cage in the backyard."

I sat up. It was close to 110 degrees in the Arizona desert that day. "A cage?" I jotted down the address. "I'll be right there."

An hour later, I released the kitty in my living room, and he quickly made friends with Westin, my deaf Bombay cat. And then I noticed the similarity. They were almost identical. They nuzzled one another and again I realized this cat was no stray. He belonged to someone. He blinked at me and meowed. "No, my friend. I can't get attached to you."

A few days later, the vet waved a hand-held machine over the cat's shiny fur. My heart beat quickly. A chip would be good," I told myself. I'll take him back to his owners, who are surely missing him.

"No chip." The vet said.

I exhaled, then stared at my new kitty, who the vet informed me was just a baby at ten months old. I started to do the math, then stopped. I realized it didn't matter that I'd be pushing eighty when he reached 15. As much as I tried to deny it, this cat was mine.

He head butted my hand and stared at me with those huge gold eyes.

We call him Morgan.

 

Here's a little from my suspense novel based on a true incident. It's not romance but I hope it intrigues you.



As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, and Twitter.

Sunday, 17 January 2021

Guest Post: MAMMA MIA! by Anne Montgomery...

 I was so out of my league!

Sometimes we do things that, as Forrest Gump would say, "Just don't make no sense."

 And I am guilty of such an act, mostly because I ignored the numbers and severely overestimated my abilities.

 I have written about the fact that I performed in a community theater production of the musical Company in the past. Though it was initially terrifying, in the end I made friends and had fun. So, it seemed rational that I give it another try. Mamma Mia was coming up and I wanted to give it a shot.

 I started singing along to the Mamma Mia CD in my car in February.  I thought I was ready. Even the cast descriptions didn't deter me. Though, admittedly, the fact that the "elder" female characters were listed as "late 30s-early 50s" should have tickled my spidey senses.

 This time around, auditions were very different. Four times the number of actors showed up. And there was improv involved. Still, I thought I had a shot at making the cast, until I arrived at the dance callbacks.

 My first clue should have been the young lady spread-eagled flat on the floor, stretching in preparation. In fact, the stage was littered with bodies of those limbering up. I was a tad bemused, as I had seen the movie and didn’t notice too much complicated-looking dancing, at least not from the named characters. Had I considered that the stage version might be vastly different from the one with Meryl Streep and her pals, I might have been forewarned.

Those hoping for a spot in the cast filled the stage facing a thin, twenty-something with a high, tawny pony tail and black leggings. She announced that we would be learning a series of dance steps.

 “OK! Face the back," she said, reminiscent of a drill instructor. " Now, hips left, then right, and spin to the front. And … right arm up high. Good. Now side step. And back. Other side. Full turn to the left and drop to your knees.”

My head popped up. Drop to my knees? Did she mean the ones that have functioned for the last 15 years thanks to the miracle of modern science, infusions injected with big-ass needles that always make me wince? Those knees?

Not wanting to stand out, I dropped to the floor. I almost bellowed like a moose giving birth, but managed to stop myself.

“Now roll over on your butt and jump up.”

In my case, said roll did not occur. I just stared at the choreographer.

“Now … leap!” She took to the air.

Leap? The thing about leaping is there always tend to be landings involved.

The choreographer encouraged us to leap in this fashion. Don't you agree it hurts just to look at this picture?

“Those of you who want to can bend your leg while leaping. Like this.” She launched herself skyward again. “Point your toes,” she said, alighting gracefully. “Second line, move up to the front.”

Hoping no one would notice, I melted into the back, which would be my primary strategy throughout the ordeal.

After an hour, we took a break. To my horror, five minutes later we were at it again.

“Let’s do another one,” she said. “This one will be easy. Even I can do it.” She smiled prettily.

What I wanted most was to go all Tonya Harding on her kneecaps. “See what you feel like when you’re over 60,” I muttered under my breath, as I mounted the stage.

Another hour passed. I longed for my chiropractor.

I know what your thinking. Why didn’t I just go sit down? Pride, I suppose. Or maybe just plain stubbornness. A few other older women had taken seats. I say “older” here with a caveat. If I had to guess, with the exception of my friend Scott, there was probably no one over 50 auditioning. Clearly, I was pretty much alone as a mid-sexagenarian.

Mercifully, the dancing finally ended. But my humiliation was not over.

Scott appeared. “Hey! You need to go in the back.”

I heard women’s voices singing Dancing Queen from backstage. “Why?”

“The mothers are auditioning,” he explained, using the term applied to the older adult women trying out for a part.

Not knowing how I could have missed the others being called away, I leapt – OK, in my mind, I leapt – onto the stage and bolted through a curtain and down a ramp toward the piano, where about eight women were lined up single file.

“I am so sorry I’m late!” I shouted.

All heads turned toward me. A woman looked up, paper and pencil in hand. “Your name?”

“Anne.”

She scrutinized the document.

The director rose from his seat.

“You’re not on the list,” he said. “You were called back only for a dancing part.”

I suddenly realized that if getting a part hinged on my dancing skills, I would need other plans for the summer. “I am … so sorry!”

I fled.

I found Scott in the seats and chastised him. It wasn’t his fault, though. He simply assumed I should be back there with the others, which in retrospect was sweet.

The director soon dismissed those of us who wouldn’t be invited to participate in any further auditions. Totally dejected, I sneaked out the back door.

When I got home, my sweetie pie stared at me. “I’m sorry,” he said without asking what happened.

I wondered if he’d had a premonition, since he already had a glass of wine poured and waiting for me.

“Maybe they did you a favor,” he said a short time later, as I sat in my jammies feeling sorry for myself, rubbing my aching knees.

I sipped my wine and pouted. “Maybe.”

Later that night, wrapped in two cold packs and a heating pad, I licked my wounds and considered whether I would ever try out for another play.

I'm thinking about it. I'll let you know.

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.


As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Monday, 26 August 2019

Guest Post: My Dark Pet Past by Anne Montgomery...

I have, over the course of my life, been the caretaker of myriad cats and dogs and birds and fish. I know I’ve been a good pet mom to my animal friends, tending to their needs and holding the four-legged ones tight when, old and infirm, we made that last trek to the vet.

While I have done well by my animal friends, who almost universally came from streets and shelters, I do have a dark past involving some beasts, the memories of which continue to haunt me.

When I was maybe five, I found a tiny, featherless bird, who, despite what appeared to be a broken neck, chirped piteously. I held the fledgling up to my mother, who blinked dispassionately behind black cat-eye glasses.

“Maybe he’s thirsty,” I said.

“I’ll get some water.”

“No, he’s a baby. He needs milk.”

“Birds don’t drink milk.”

“Milk!” I insisted.

So my mother gave the baby bird milk … and it died. When I was older, I discovered a crow fluttering in the grass in my back yard. I placed the bird on the patio table and decided he might be hungry. I considered what might be tasty to a crow and determined that corn was the answer. Finding none in the refrigerator, I checked the freezer and was delighted to see a package of Green Giant Frozen Nibblets. I rushed to the patio and sure enough, my crow gobbled up that icy treat. A few minutes later, he toppled over … dead.

Then there were the fishes. Shortly after my mother allowed me to plant a rock garden behind the house, my dad and I formed a tiny concrete pond, not much more than a foot wide. I joyfully filled that small depression with water, but quickly sensed something was missing. So, I grabbed an empty Skippy Peanut Butter jar, called my collie dog Betsy, and headed to the brook to do some fishing. Later, I dumped those tiny fish into my pond, quite sure they would be happy with their new living arrangements. The next morning, eager to visit my fishy friends, I rushed to my pond to discover it … empty! I did some pondering on the mystery and determined that the fish had disappeared with the water though some minuscule crack and were now traversing an underwater stream that would lead them back to the brook.

Really.

In a similar fashion, I gathered unfortunate salamanders from under rocks in the woods and plopped them into the terrarium, which I made myself. I gathered soft, green moss, which I was sure the lizards would appreciate, and uprooted other woodland flora to decorate their home. I artfully placed bits of wood and rocks in the tank, along with a jar lid filled with water, so they might get a drink or go for a swim, should they feel the urge. What I never once considered was food. I think I believed my salamanders – some black, some red sporting a dark stripe – would discover reptile sustenance in the dirt somewhere. In any case, the fact that someone, I’m guessing my older brother, “accidentally” dislodged the glass tank top, proved to be a boon for those beasts, because they escaped, heading, no doubt, for the lizard version of McDonalds, never to be seen again.

I did enjoy my lizard friends, still, in retrospect, they were lucky they managed to escape.

The good news is that, once I got a bit older, I learned how to better care for the creatures that counted on me for their survival. We kids were required to feed and provide water for our dog and cat every night before dinner. One evening, when we had collectively forgotten to nourish our furry friends, my father admonished us.

“They can’t feed themselves!” he said, clearly disappointed by our neglect. “It’s your job to take care of them. They count on you.”

I stared at my dog, a look she returned with unabashed adoration, and felt ashamed. From that day forward, my pets have eaten before me. And I have made it my goal to treat all animal friends with kindness and compassion, with perhaps one well-intentioned exception.

The giant goldfish belonged to my two young nieces.

“What’ll we do?” My sister-in-law said, wrinkling her nose at the chubby, orange creature that swam in wobbly circles.

“We will…um…I don’t know.”

She stared at me. “The girls can’t see him like this.”

I considered the alternatives. Finally, I spread my hands wide. “Put it in a plastic bag and freeze it?”

I won’t say any more about that, except that it seemed kinder and less messy than the hammer option or any of the other routes we contemplated. Surely, you can see that my intention was one of benevolence.

I hope.

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

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Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

Monday, 29 October 2018

Book Release: A Light in the Desert by Anne Montgomery...

Acclaimed journalist Anne Montgomery weaves her latest mystery/suspense novel around one of the most enduring cold case crimes in Arizona history.

Following in-depth research into the deadly 1995 cold-case derailment of an Amtrak train in the wilds of the Arizona desert, novelist Anne Montgomery penned the story of Jason Ramm, a broken former Special Forces sniper, and Kelly, the lonely pregnant teen who appears to be his salvation in the 2018 suspenseful mystery A Light in the Desert releasing November 6, 2018 from Treehouse Publishing Group.

Set in Hyder, Arizona, Montgomery’s A Light in the Desert details the crumbling world of a former soldier whose crimes assault his conscience and an isolated child who, in the guise of love, falls victim to abuse. Is Ramm her savior or something more insidious? Montgomery suffuses the tale with heartbreaking melancholy, both from the point of view of a rejected child who understands little of the outside world and the assassin who’s descending into the grips of an odd mental illness, the Jerusalem Syndrome, that threatens to replace who he is with something else.

A former ESPN sportscaster, Montgomery, a foster mom to three sons, works in Arizona as a football referee and high school teacher at a Title I school where many of her students live in poverty, some are abused, and others are relegated to foster care. On why she wrote the book, Montgomery says, “I have seen the suffering of neglected and abused children first-hand. Often, their voices go unheard. I believe child abuse needs to be a topic we address with ardent regularity, loudly and often, so that someday, perhaps, this cruelty can be relegated to the past.”

This novel is a definite must read!

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil as local and state police, FBI investigators, and a horde of reporters arrive on the scene. As the search for the saboteurs heats up and the authorities question members of the cult, they uncover more questions than answers. 

And then the girl vanishes. As the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY NOW from MIDPOINT BOOK SALES

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.